The “show” in the title is more than major league ball. It’s emotion. The Show creates that.
As tech expanded, The Show tweaked its physics and bolstered features. That’s great. What’s unusual and unique is the visualized passion. Digitized faces can be read – anger, elation. Their lips too. Batters jaw with pitchers. Umpires deal with the aftermath of a bad call. Commentary follows the game’s tone. Fans react with excitement or become riled up as a mascot calls for them. It’s all excitable and smart, representing more than just sport but the underlying thrill or frustration too.
Consider this: MLB: The Show is arguably the most “human” of big videogames. We tend to think of that in terms of narratives, but baseball builds its own story every inning. The Show builds digital baseball, then comes close to perfecting it. A walk-off, extra innings home run looks and feels special. Those events burst with energy, and here in 2018 more so than before. San Diego Studio keeps finding ways to build and add, doing so in ever more elegant ways.
None of this works individually. It’s a team effort. Vendors toss hot dogs for minimum wage, fans glance at their cell phones, and between pitches, fielders acknowledge one another. Baseball feels alive here. Importantly too, The Show allows for mistakes and errors. That’s reality. Dropped balls and errant throws – along with the irritation that follows – come across on screen. It’s not only a matter of coding that someone misses a ball; they do so with specific body language.
This is still a videogame too. Often, The Show fights with its code. There’s a jittery, handmade feel, a bit of awkwardness by way of human coding. That works too. It’s imperfect. So are the digital avatars of The Show.