Ghost Recon: Breakpoint seems anti-conservative. Torture bad, the narrative says. In flashbacks to Iraq, the antagonist played by Jon Bernthal is stuck in the mid-2000s, projecting Bush-era aggressiveness. He’s repulsed by those who won’t abuse prisoners. Protagonist “Nomad” keeps a firm heroic posture in story sequences. Then in-game, Nomad bashes heads in with pistols to… Continue reading Ghost Recon: Breakpoint (PS4)
Borderlands is a comical realization of two things. One is an apocalypse. Two is that apocalypse leaves only people and the American dedication to capitalism behind. Slavish dedication to money created what’s left of this planet (and others nearby in Borderlands 3). People go insane worshiping entertainers and capitalists like gods; they promise the population… Continue reading Borderlands 3 (PS4)
The Hammer of Dawn satellite super weapon is Gear 5’s equivalent to the hydrogen bombds of World War II. A visit to an outsider outpost brings derision aimed at the COG military – a small child pretends to shoot them, calling them fascists as he runs away. Later, a mission involves satellite assembly, backed by… Continue reading Gears 5 (Xbox One)
There’s truth in NBA 2K20’s story this year. When a college teammate goes down with an ACL tear and loses his sports scholarship, protagonist Che protests. “All this talk about family, but we’re really just entertainment,” he says, in backlash to the exploitative NCAA business model. If there’s a wonder why NBA 2K20 doesn’t feature… Continue reading NBA 2K20 (PS4)
Jesse Faden wants her brother back. The American government took him, specifically the Federal Bureau of Control. It’s become corrupt. An entity known as “The Hiss” took over, turning federal employees into mind-controlled drones. Faden rushes in guns blazing, restoring this government to its rightful form. Yes, it’s a Trump thing. It’s difficult to think… Continue reading Control (PS4)
Weird Al Yankovic’s irreverent “Christmas at Ground Zero” joked about the idea of nuclear annihilation, setting the apocalypse under a mistletoe for a jolt of irony. Yankovic released the song during the Cold War, mocking the stupidity shown by super powers (even using a clip of President Reagan in the video), and the casualness with… Continue reading Rad (PS4)
The image of two teenage girls sending buckshot into Nazi guts is proper emasculation of Nazi garbage, that rare time when the videogame power fantasy feels right and proper. Set in 1980’s Neu-Paris, the evocative visual design considers a European country still under Hitler’s laws. Neu-Paris looks frozen in time; nothing progressed since World War… Continue reading Wolfenstein: Youngblood (PS4)
